dionysian
dionysian
1. "remained the nearest to the instinctual, the irrational in music, and thus to the Dionysian spirit in art" (Musco Carner)
“最接近本能的、无理性的音乐，保留狄俄尼索斯艺术中的精神”(穆斯科·卡尔内)
2. "Apollonian" and "Dionysian" are adjectives. What nouns can they be used to modify?
“阿波罗的”和“酒神的”都是形容词。它们用来修饰什么名词?
3. As a matter of fact, Zarathustra embodies an integration/reconciliation of Apollonian and Dionysian perspectives, that is, the op-posites within the self.
事实上查拉图斯特也就是尼采的阿波罗及戴奥尼修斯二观点的重新整合，也就是对自我内在冲突的重新统合。
4. In tragedy,Apollonian image is only the means of expressing the Dionysian impulse.
二、在悲剧中,日神形象仅是表达酒神冲动的手段;
5. He says that we have separated two important aspects of ourselves: The "Dionysian" (celebratory and unconscious) and the "Apollonian" (conscious and rational).
他说我们自身被分成两个重要的部分：“酒神的”（狂欢和无意识）和“日神的”（有意识的和理性的）。
6. Geneticist Study on Rites and their Symbols:A Case of the Bacchanal(Dionysian)Sacrificial Rite
仪式及其象征的发生学研究:以酒神祭祀仪式为例
7. " These benighted souls have no idea how cadaverous and ghostly their "sanity" appears as the intense throng of Dionysian revelers sweeps past them.
但是这些可怜虫当然料想不到，他们的所谓“心灵健康”，同酒神歌队的热烈的生机洋溢相比，显得多么惨白如幽灵！
8. Inside the boundaries of literature, I make use of the archetype ofDionysus to analyze some tragic protagonists, the purpose of which is to associatetheir tragic destiny with the different facets of their Dionysian nature.
同时用酒神原型对几部文学作品中的悲剧主人公进行剖析,试图从不同侧面阐明其酒神性格与其悲剧命运之间的关系。
9. On the Orientation of Dionysian Spirit in the Narrative of Enlightenment Reason
启蒙理性叙事中的酒神精神取向
10. In his The Birth of Tragedy, Nietzsche highlights two impulses of art, the Apolline and the Dionysian, the two means for man to redeem from the horrible world.
在《悲剧的诞生》中，尼采第一次提出构成艺术的两大元素，日神和酒神，并把它们解释为人生苦难的救赎方式。
11. The largest of the Cyclades, it was famous in ancient times as a center of Dionysian worship.The island belonged to Venice and then Turkey before it became part of independent Greece in 829.
基克拉迪群岛中最大的一个，在古代作为崇拜酒神的中心而闻名。
12. Nietzsche advocates an aesthetic attitude to life and puts forward ideas of "will to power" and "the Dionysian spirit", but he thinks highly of "aesthetic metaphysics" and neglects life.
尼采主张对人生的审美态度,提出了"强力意志"、"酒神精神"等命题,但是其审美主义致力于"审美形而上学"而忽略生活。
13. The reasonfor its perpetual charisma lies in the fact that Dionysian art may arouse orgiasticelation from man's innermost nature as an individual dissolves into the bosom of acosmic oneness.
悲剧之所以拥有永恒的感人魅力,是因为酒神艺术是个体化原理崩溃之时从人的最内在基础即天性中生起的充满幸福的狂喜,是小生命在毁灭时沉入宇宙大生命的沉醉状态。
14. The Dionysian Nature of Tragedy: Nietzsche's Concept of Tragedy
悲剧的酒神本质:尼采的悲剧观
15. Tragic art,originally and essentially, belongs to the Dionysian art, imbued with Dionysian spirit.
悲剧艺术无论就其根源还是就其性质而言,都是一种酒神艺术,其根本的精神乃是一种酒神精神。
16. Which of the plays that we have read so far would seem the most Dionysian?
我们至今读过的戏剧中，哪部最具酒神风格？
17. Dionysian spirit has evident influence on the Chinese literature in the 20th century, especially on the revolution narration.
摘要酒神精神对20世纪中国文学颇有影响，尤其与革命文学叙事纠缠甚深。
18. In the end, their human organism maimed, their Dionysian impulses defeated with the process of industrialization, they are becoming the living dead.
最终在工业化进程中,他们的肉体伤残,生命活力丧失,成为“活死人”。
19. Basedthis thesis on Nietzschean aesthetic theory, I attempt to interpret Dionysian spirit fromaesthetic perspective, and endeavor to solve the riddle of tragedy with the aid ofDionysian spirit.
本论文主要以尼采美学观点为理论依据,从美学角度对酒神精神进行阐释。 并从酒神精神出发,试图解开悲剧之迷。
20. Those who ever-transmigrate are the "same ones". In interpreting the "ever-transmigrating theory" as a"breeding-selection" philosophy,Deleuze deviates from the Dionysian spirit advocated by Nietzsche who "affirms life and loves fate".
永恒轮回的是“相同者,”德鲁兹把“永恒轮回说”理解为“选育”的哲学,背离了尼采“肯定生命热爱命运”的“酒神精神”。
21. Not only are the seraphim the highest of the nine choirs, they are ranked first in the first triad of the Dionysian scheme, with the cherubim and the thrones.
炽天使不仅仅是九级天使中最高的一级，而且还在奥尼修斯设计的体系的头三个一组中排行第一，紧跟着的是智天使和座天使。
22. Ecstatic or wild;Dionysian.
狂欢的;戴奥尼索斯
23. Ecstatic or wild; Dionysian.
狂欢的；戴奥尼索斯
24. The contradiction between the Hu-xiang School of Neo-Confucianism and Chu culture is actually the opposition of two ethos,Apolloian mean and Dionysian intoxication.
理学湖湘学派与楚文化传统的冲突 ,实际上是日神式的中庸之道与酒神式的沉醉痴迷两种文化精神的对立。
25. 9.The contradiction between the Hu-xiang School of Neo-Confucianism and Chu culture is actually the opposition of two ethos,Apolloian mean and Dionysian intoxication.
理学湖湘学派与楚文化传统的冲突,实际上是日神式的中庸之道与酒神式的沉醉痴迷两种文化精神的对立。
26. On Dionysian Spirit of Nietzsche
论尼采的酒神精神
27. This tradition is also believed to come from the Thracians who may have danced similarly during Dionysian rituals.
这项传统据信是出自色雷斯人酒神节中类似的舞蹈。
28. dionysian type
酒神型
29. Dionysian spirit
酒神精神
