ibsenism

ibsenism

1. Duse:Italian actress who was highly acclaimed as a heroine in the plays of Gabriele D'annunzio and Henrik Ibsen.

"杜丝:意大利女演员,因扮演加布里埃·邓南遮和亨利克·易卜生的戏剧中的女主人公而著名."

2. In the two decades that followed the revolution in 1949, China's theatre groups were only permitted to stage government-approved plays written by the likes of Ibsen and Chekhov.

1949年中华人民共和国成立，随后的二十年里，中国的剧团只被允许上演经过政府核准的剧目，如易卜生和契诃夫等此类作家创作的剧目。

3. During the period of the May 4th Movement of 1919 in China, Bernard Shaw ,as well as Henrik Ibsen, were accepted as thinkers of social criticism and model playwrights writing "social problem drama".

“五·四”时期,萧伯纳与易卜生一起被当作具有社会批判精神的思想家和写作“社会问题剧”的模范作家而被接受。

4. "We followed[Ibsen] as he fustigates himself and us" (Patrice Chereau)

“因为[易卜生]无情地批评自己和我们这些人，所以我们支持并追随他” (帕特里斯·谢罗)

5. deconstruction of “nothingness” ---deciphering the postmodernist code in ibsen's later works

“虚无”的消解---解读易卜生后期作品中的后现代主义代码

6. Drama from Ibsen to Brecht (titled as Drama from Ibsen to Eliot in 1954, changed to this title with revision in 1968) expounds the relationship between the dramatic form and structure of feeling.

《戏剧:从易卜生到布莱希特》(1952年版名为《戏剧:从易卜生到艾略特》,1968年修订和扩展后更名)论述了情感结构和戏剧形式的关系。

7. What is the man's first duty? The answer is brief: to be himself. -- Henrik Ibsen

一个人的首要职责是什么?答案很简单:做自己。--易卜生

8. What's a man's first duty? The answer's brief: To be himself. ( Ibsen )

人的第一天职是什么?答案很简单:不伪饰自己。(易卜生)

9. What is a man's first duty? The answer is brief; to be himself. Ibsen, Nowegian dramatist

人的第一天职是什么?答案很简单:不伪饰自己。挪威剧作家

10. What is a man's first duty? The answer is brief; to be himself.--Ibsen, Nowegian dramatist

人的第一天职是什么?答案很简单:不伪饰自己。挪威剧作家易卜生

11. What's a man's first duty? The answer's brief: To be himself.( Ibsen)

人的第一天职是什么?答案很简单：不伪饰自己。（易卜生）

12. What"s a man"s first duty? The answer"s brief: To be himself. ( Ibsen

人的第一天职是什么？答案很简单：不伪饰自己。（易卜生）

13. a study of European drama, from Ibsen to the present day

从易卜生到现代欧洲戏剧的研究

14. In the end, a feasible strategy can be drawn from Ibsen"s poems to inherit folk culture: infuse folk form with modern spirit and quality.

从易卜生对待民间歌谣以及民间文化的态度和做法，我们可以找到一条切实可行的民间文化的传承路径：将民间艺术形式与现代精神品格相结合。

15. He hated and envied Ibsen and he loved Hitler.

他对易卜生既憎恨又嫉妒，而他热爱希特勒。

16. Nora leaves the house, you see, this is the bottom line for a new drama asking what happens to her when she leaves.So Ibsen leaves the end of his drama open.

他还展望了与中国学者的合作项目: 直接将易卜生作品从挪威语译成汉语，这或许可以揭示易卜生在中国文化背景中深受欢迎的原因。

17. Cf. Wang Ning," Multiple Codes in Ibsen's Drama", in Meng Shengde et. al. eds., Ibsen Research Papers, Beijing: Chinese Literature Press,271.

以及王忠祥的《易卜生》，北京：华夏出版社，2002年版。上述这三部著作都是在对易卜生的原著（借助于英文译本）行细读和研究之基础上写出的，代表了中国学者的研究水平。

18. As "Father of modern drama" who owns enterprising spirit and opening up consciousness, Ibsen shows a special preference for symbolism.

作为具有创新精神和开拓意识的“现代戏剧之父”，易卜生对象征手法是情有独钟的。

19. Ibsen as an Artist: Reflections on Ibsen and China

作为艺术家的易卜生:易卜生与中国重新思考

20. Have you ever see ibsen's play?

你看过易卜生的戏剧吗?

21. Have you ever seen Ibsen 's plays?

你看过易卜生的戏剧吗？

22. Russian-born American actress noted as an interpreter of the works of Ibsen,Chekhov,and O'Neill

俄国裔的美国女演员，因作为伊普森，柴可夫斯基，欧尼尔著作的表演者而闻名

23. Professor Knut takes Ibsen's plays for example to discuss not only the moralities in Ibsen's plays, but also the necessity and importance of literary ethical criticism.

克努特教授以易卜生的戏剧为例 ,不仅讨论了易卜生戏剧中的伦理道德问题 ,而且还就文学伦理学发表了自己的重要意见。

24. Kierkegaard's Shadow and Lu Xun's View of Ibsen

克尔凯郭尔之影与鲁迅的易卜生观

25. The paper then by dealing with the role of Chekhov"s plays in the history and comparing with the works of Ibsen, hopes to further explore its modernist factors.

其中涉及契诃夫戏剧在戏剧史上的作用、与易卜生的比较，以便更好地挖掘其戏剧的现代性因素。

26. As "Father of the modern theater", Ibsen has been a treasure house, waiting for explorations and discoveries , in the process of which a new Ibsen is expected to emerge.

其实作为“现代戏剧之父”的易卜生,其底蕴和价值是极其深厚和重大的,值得我们去作深入挖掘,并由此而发现一个全新的易卜生。

27. On the demand of history and that era, Ibsen, with his works, entered into the visual field of Chinese.

历史和时代的需要，易卜生和他的作品进入了国人的视野之中。

28. Lines from Ibsen's play A Doll's House ....

原来她正翻到易卜生的剧本《娜拉》。

29. Especially under the influence of Dante, Ibsen and Bruno, he broke up with the Catholic Church and began to pursue the artistic independence.

受到但丁、易卜生、布鲁诺的等作家和现代主义思潮的影响,乔伊斯的思想不再受宗教的束缚,而转向追求艺术独立。

30. They say they're doing Hu Shih's When a Girt Marries and Ibsen's A Dolt's House.

听说演的是《终身大事》和《傀儡家庭》。

31. In the next chapter, we hear about the adaptation of Ibsen's Peer Gynt made by Hitler's mentor Dietrich Eckart and given to Hitler with an inscription.

在下一章里，我们将听到由希特勒的导师迪特里希．埃克哈德对易卜生的“皮尔．金特”所做的改编并送给希特勒一本签名赠送本。

32. At the end of the road is the Neo-Classical Nationaltheatret built in 1899 and guarded by the statues of Henrik Ibsen and Bj?rnstjerne Bj?rnson.

在市政厅前面的广场上是种满鲜花的花圃和喷泉，附近是奥斯陆最繁华的闹市区。

33. In the late moments of life, Ibsen told a friend like this:” Who wants to know me, must know Norway at first.

在生命的最后时刻，易卜生曾对一位友人说道：“谁想要了解我，必须了解挪威。

34. In terms of artistic form,Ibsen s poems also demonstrate traits of ballads such as elements of folk songs,circular sentence structure,stanzaic repetition,and folk humor.

在艺术形式上体现出民间歌谣的特征:歌唱的因素、回环的句式、节与节的反复、民间的机智和幽默风趣。

35. In terms of artistic form, Ibsen demonstrated trait of ballads such as elements of folk songs, circular sentence structure, stanzaic repetition, folk wit and humors.

在艺术形式上，易卜生诗歌也体现出民间歌谣的特征：歌唱的因素、回环的句式、节与节的反复、民间的机智和风趣幽默。

36. Forster, Joseph Conrad, George Orwell, Fyodor Dostoyevsky, and Henrik Ibsen, among others.

奥威尔,陀思妥耶夫斯基,易卜生等。

37. If you doubt yourself , then indeed you stand on shaky11 ground .(Ibsen , Norwegian dramatist）

如果妳怀疑自己，那么妳的立足点确实不稳固了。（挪威剧作家易卜生）

38. If you doubt yourself, then indeed you stand on shaky ground.-- Ibsen, Norwegian dramatist

如果你不怀疑自己,那么你的立足点确实不稳固了挪威剧作家易卜生

39. If you doubt yourself, then indeed you stand on shaky ground.----Ibsen

如果你怀疑自己,那么你的立足点确实不稳固了

40. If you doubt yourself, then indeed you stand on shaky ground.（Ibsen）

如果你怀疑自己，那么你的立足点确实不稳固了。（挪威剧作家易卜生）

41. Marriage! Nothing else demands so much of a man. --Henrik Johan Ibsen

婚姻!除此之外再没什么要求男人那么多了。--亨利克·易卜生

42. of or relating to or in the manner of the playwright Henrik Ibsen.

属于或关于剧作家易卜生的，或以其风格的。

43. of or relating to or in the manner of the playwright Henrik Ibsen

属于或关于剧作家易卜生的，或像其风格的

44. Stockmann sums up Ibsen's denunciation of the masses, with the memorable quote "...the strongest man in the world is the man who stands most alone.

总结了易卜生对群众的斥责。

45. Italian actress who was highly acclaimed as a heroine in the plays of Gabriele D'Annunzio and Henrik Ibsen

意大利女演员，因扮演加布里埃·邓南遮和亨利克·易卜生的戏剧中的女主人公而著名

46. "The big surprise was that we found out that a lot of the existing translations were glossing over more of the crudities Ibsen was after and more of the slang that he definitely put into the play.

我要把原有的油漆全部铲去，并要涂上新的内涂层和上光剂。我要彻底地干一下，决不马马虎虎。

47. "The Viking spirit" is the national spirit of Northern European people that forms in the course of their struggling with nature and other nations, which is reflected intensely in Ibsen's creations.

摘要“海盗精神”是北欧人民在征服自然、与其他民族作斗争过程中形成的民族传统。

48. In Ibsen's dramas, private symbols are widely used to express some mental experience, to imply the subtle inner world and forebode characters's peculiar destiny.

摘要个性化的象征是易卜生戏剧中用来传达某种精神体验、暗示微妙的内心世界、预示人物特殊的命运而广泛采用的表现手法。

49. Though Ibsen and Coetzee are nearly one hundred years apart, located in places thousands miles away from each other, their way of understanding and presenting solitude is of striking similarity.

摘要尽管易卜生与库切所处年代不同，所属区域不同，但是这两位作家对孤独的理解与分析却有着惊人的相似。

50. Like his plays in the later period about a series of social problems, the poetry of Ibsen was of great ethical meaning.

摘要易卜生的诗歌具有非常丰厚的伦理内涵，这与其后期创作的一系列社会问题剧具有同一性。

51. A New Reading of Ibsen's Social Problem Plays

新论易卜生的社会问题剧

52. Henric Ibsen

易卜生

53. Henrik Ibsen [Norway]

易卜生[挪]

54. a play by Ibsen

易卜生写的剧本

55. Ibsen and Shaw are two well-known playwrights, and they play decisive roles in the history of European and world literature.

易卜生和萧伯纳两位著名的剧作家,在欧洲文学史乃至世界文学史上都占据着举足轻重的地位。

56. Ibsen's drama

易卜生戏剧

57. Change of Status of Wedlock Men and Women in Ibsen's Dramas

易卜生戏剧中婚姻男女地位与关系的变迁

58. Always the iconoclast, Ibsen was as willing to tear down the ideologies of any part of the political spectrum, including his own.

易卜生是一个反对偶像崇拜的人，就算对他自己的政治立场的人的思想观念他也毫不留情。

59. Henrik Ibsen A Doll's House yes no

易卜生玩偶之家

60. Ibsen largely founded the modern stage by introducing a critical eye and free inquiry into the conditions of life and issues of morality.

易卜生用不留情的眼光来看生活的实际，提出了新的道德问题，由此他创立了现代的话剧。

61. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries.

易卜生的作品显示了在这个表面以下的实际情况，而当时的社会不愿看到这个实际现象。

62. Ibsen's achievements can be compared to other three contemporary magnates in their own fields: Charles Robert Darwin, Karl Max, and Sigmund Freud.

易卜生的成就，可以与他同时代的三位伟人达尔文、马克思和弗洛伊德在其各自领域的成就相媲美。

63. Ibsen's Lively Art: A Performance Study of the Major Plays

易卜生真实的艺术:大部分戏剧的表演研究

64. The Status and Trend in the Study of Ibsen--An Interview with Professor Wang Zhongxiang

易卜生研究的状况与发展趋势--王忠祥教授访谈录

65. Ibsen's poems

易卜生诗歌

66. Ethical Topic in the Poetry of Henrik Ibsen

易卜生诗歌的伦理主题

67. Henrick Ibsen says:" It is your supreme duty to cast yourself into a useful implement."

易卜生说：“你最大的责任是把你这块材料铸造成器。”

68. Year Master of Philosophy in Ibsen Studies

易扑生作品研究

69. Four Great Plays by Henrik Ibsen

易斯本四大

70. In his classical work Ibsenism, Hu Shi did not only give an all-around introduction of Ibsen's ideas, but concentratedly expressed his idea of a sound individualism as well.

是胡适全面介绍易卜生思想的力作，也是集中承载胡适“健全的个人主义”思想的经典性文章。

71. Modernity of Spiritual Connotation in the Dramas of Cao Yu and Ibsen

曹禺和易卜生戏剧精神内涵的现代性表现

72. Italian actress who was highly acclaimed as a heroine in the plays of Gabriele D'Annunzio and Henrik Ibsen.

杜丝，埃利奥诺拉1859?－1924意大利女演员，因扮演加布里埃·邓南遮和亨利克·易卜生的戏剧中的女主人公而著名

73. ” He is now 74 and points out that Henrik Ibsen was still writing hard in his 80s.

现在他74岁，谈及亨利克易卜生在80多岁的时候依然努力写戏剧。

74. Born in Shaoxing, Xie grew up during the Japanese invasion of the 1930s and attended the Jiang-an school of dramatic art in Szechuan, where he studied Ibsen, Shakespeare and Chekhov.

生于绍兴，成长于日寇入侵的二十世纪三十年代，进入位于四川江安的国立戏剧专科学校，在那里学习......

75. In their works, Ibsen and Coetzee are engaged in the same job: subversion a universal outlook-the necessity of following others.

笔者在分析两位作者如何在作品中对从众的必要性进行质疑以及对孤独进行昭扬的过程中，也注意到这种现象出现的原因。

76. The third chapter, "the origin of O"Neill"s dramatic view of expressionism", probes into the influence on O"Neill from August Strindberg, Henrik Ibsen and Anton Chekhov.

第三章奥尼尔表现主义戏剧观形成的文学根源，主要探讨斯特林堡、易卜生和契诃夫对奥尼尔的影响。

77. The third part expounds the influence of Ibsenism.

第三部分论述了“易卜生主义”的影响。

78. Russian-born American actress noted as an interpreter of the works of Ibsen, Chekhov, and O'Neill.

纳济莫娃，安拉1879－1945俄国裔的美国女演员，因作为伊普森，柴可夫斯基，欧尼尔著作的表演者而闻名

79. Lao She's drama broad vision, he need not blindly believe that theatrical productions of Ibsen, and to "Duchuxincai, spectacular" innovation.

老舍的戏剧视野宽广，他认为戏剧创作不必一味学易卜生，而要“独出心裁、别开生面”地创新。

80. In the current international research in the field of Ibsen, the artist returned to Ibsen's voice on behalf of the international forefront of the field on the latest research results.

而在目前的国际易卜生研究领域，返回艺术家易卜生的呼声则代表了国际前沿领域内的最新研究成果。