sensuousness

sensuousness

1. Regretting the lack of spontaneity and real sensuousness in other contemporary poets, he deplores in Tennyson

他对于和他同时代的诗人缺乏自发性和真实的敏感，感到惋惜，他对坦尼森感到悲痛。

2. taking sorrow as sensuousness

以悲为美

3. Strength balanced sensuousness and had upon it a tonic effect, compelling him to love beauty that was healthy and making him vibrate to sensations that were wholesome.

在这里力量和敏感刚柔相济，相得益彰，促使他喜爱有益身心的美，也因无伤健康的感受而震颤。

4. Clicking, clapping, dancing or dreaming, laughing or sad, she seemed to contain all the strength, warmth, sensuousness and burnished beauty of Africa, as well as all its sounds.

或卡嗒或击掌、或舞动或梦游、或欢笑或悲切，她似乎储聚了非洲大地的全部力量和所有声响：温存、感受和美好。

5. Keywords Critical Theory;Practical Aesthetics;Modernity;Sensuousness;Reason;Critique-oriented Practice Aesthetics;

批判理论;实践美学;现代性;感性;理性;实践批判美学;

6. The fullness and sensuousness of such effusions bring them nearer to our actual perceptions than common discourse could come;

比起普通的著述来说，这种流溢的丰盈和快感让他们更逼近真实的感知；

7. Realism, economy, sensuousness, beauty, magic.

现实主义，简洁精练，刺激感官，充满美感和魔力。

8. IX The highest point reached by contemplative materialism, that is, materialism which does not comprehend sensuousness as practical activity, is contemplation of single individuals and of civil society.

直观唯物主义所能达到的最高点是,唯物主义并不能把感性活动当作实践的活动,而只是直观的理解单个人和市民社会。

9. The highest point reached by contemplative materialism, that is, materialism which does not comprehend sensuousness as practical activity, is contemplation of single individuals and of civil society.

直观唯物主义所能达到的最高点是，唯物主义并不能把感性活动当作实践的活动，而只是直观的理解单个人和市民社会。

10. ROBERT： Good stuff, Yeats, ha? Realism, dichotomy, sensuousness, beauty, magic, all that appeals to my Irish ancestry. Something wrong?

罗伯特：是叶芝的杰作。现实主义、二分法、知觉、审美、魔幻，所有这些都吸引了我的爱尔兰的血统。出什么错了吗？

11. Feuerbach, not satisfied with abstract thinking, wants contemplation; but he does not conceive sensuousness as practical, human-sensuous activity.

费尔巴哈并不满足于抽象的思考,而想要诉诸于感性的直观;但是他并不把感性的当做实践的人类感性的活动。

12. The art works stressed the sensuousness in the perception process, therefore shrank the gap between the audience and “operator”, in which rationality subjected to the nonrepresentational and shocks.

这些作品通过纯粹感知过程的知觉强化，缩小了观众和“操作者”之间的距离，理性在这里为非理性和震惊的情绪而服务。

13. So the key of higher contemplation is not "see", but "do" and "act";it requests practical and social sensuousness.

高级的哲学直观其重心不只是“看”，而是要求“做”和“行”，要求提升并转化为对象性和社会化的洞察、批判和行动。